Led by special effects supervisor Paul Corbould, the VFX team also built part of a roller coaster at Pinewood Studios in the U.K. (Vickery notes that moviegoers have become “very savvy” about recognizing when actors are working against a greenscreen.) The sense of reality was further enhanced by shooting live-action scenes in Hawaii, which eliminated the need for stage-bound greenscreen work. Other times, inflatable dinosaurs were used. Sometimes it was simply a Styrofoam hat that a performer wore. Where there were no animatronics, the VFX team made sure there was some sort of representation of the dinosaurs on set for the actors to relate to. The animatronics were then touched up with digital tools where appropriate. It was like a huge dinosaur jigsaw puzzle,” Vickery says. rex - the head to the back of the shoulders - that was 3D-printed from ILM’s digital files. In scenes that didn’t require a full-length dinosaur, creature supervisor Neal Scanlan and his crew built animatronics - this time using digital blueprints to print 3D parts. “That reality is a visual anchor for the audience, and your brain accepts them because you’re seeing details with which you are familiar.” “The bone structure of those large birds is very similar,” he explains. Vickery says its skin was inspired by that of crocodiles and alligators, while its feet mimic those of ostriches and emus. Take, for example, the Baryonyx, a theropod that is believed to have had aquatic tendencies. The work on each creature began with studying dinosaur fossils, and the team took cues from living animals. In Fallen Kingdom, all the film’s CG and animatronic dinosaurs - 21 species, including seven new ones - received a fresh look. Daisy Edgar-Jones in Talks to Star in Tornado Adventure Movie 'Twisters' From Universal, Amblin
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